Frank Sinatra was the best friend a song ever had. Easy and My Way, told by the songwriters. When Francis Albert Sinatra was born on December 12, 1915, the world was given the way you look tonight frank sinatra pdf greatest friend a song and songwriter would ever know. The Hoboken Four then with Harry James, then Tommy Dorsey.
In 1942 he started his solo career, instantly finding fame as the king of the bobbysoxers, becoming the most popular singer of the era among teenage music fans. To celebrate Ol’ Blue Eyes’ birthday today, Performing Songwriter takes a look at five songs he made famous, and the writers behind them. Easy,’ a call had gone out, a kind of open casting call, that the Sinatra people were looking for a song for Sinatra, a title song for an album of lightly swinging love songs. Every writer in Hollywood submitted something and luckily we got the call. Writing for Frank Sinatra was like writing for a character in a play. You know exactly the language, the look, the attitude, everything. I lived in France, spoke French, knew a lot of French artists.
The song was co-published by a guy I’d put in business. It wasn’t a big hit. But I heard it another way. It kept gnawing at me. I asked the publisher for the rights.
We weren’t buying the pyramids. It was a two-page agreement, and that was it. I came back to the States with it and put it away. R director my whole life, had introduced me to Sinatra. It’s 1968, I’m in Florida performing.
Sinatra’s there shooting a movie. He comes to my show. I’m doing one more album, then quitting the business. He had always teased me about writing songs for him.
But in the years that I knew him, he hated pop music. Wouldn’t sing it, until Don convinced him. Then he started to do more contemporary stuff. I want to write something.
So I took the French record out and transposed it to the piano to get the feel and vibe. It started to mold into this different song. I sat at the typewriter. What would Frank say if he was writing this? The song started to write itself. I used dialogue that I would’ve never normally used for a song, but it fit what he was about and what he would say.