Renaissance revival architecture for representation purposes. The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to italian renaissance architecture pdf difficulty of defining and recognizing Neo-Renaissance architecture. Brunelleschi and his contemporaries wished to bring greater “order” to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular human anatomy.
Neo-Renaissance architecture is formed by not only the original Italian architecture but by the form in which Renaissance architecture developed in France during the 16th century. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture. 1607 and 1611, where medieval towers jostle with a large Italian cupola. When in the 19th century Renaissance style architecture came into vogue, it often materialized not just in its original form according to geography, but as a hybrid of all its earlier forms according to the whims of architects and patrons rather than geography and culture. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, and in many cases the even later Baroque period. Thus Italian, French and Flemish Renaissance coupled with the amount of borrowing from these later periods can cause great difficulty and argument in correctly identifying various forms of 19th-century architecture.
Gothic Revival to the Italian Renaissance. As a consequence a self-consciously “Neo-Renaissance” manner first began to appear circa 1840. By 1890 this movement was already in decline. 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Renaissance architecture which was often more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly.